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We welcome you at Weber State Student Association. The Student Association has been a part of Weber State ever since 1950. We present your student leaders at work for you. Since our grand concern is our students. We have organized a site to assist you find the information you search for to succeed in studies and Get Invoved in student leadership. Just check us out.

Daylight Again is a 1982 rock album by the band Crosby, Stills & Nash, their fourth of completely original material, and seventh in total. It peaked at on the Billboard Top Pop Albums chart, the final time the band has made the top ten to date. Three singles were released from the album, all making the Billboard Hot 100: “Wasted on the Way” peaked at , “Southern Cross” at, and “Too Much Love to Hide”

The genesis of the album lies in recordings made by Stephen Stills and Graham Nash at intervals in 1980 and 1981, the album slated to be a Stills-Nash project. They employed Art Garfunkel, Timothy B. Schmit, and others to sing in place of where David Crosby might have been. Executives at Atlantic Records, however, had little interest in anything but CSN product from any member of the group, and held out for the presence of Crosby, forcing Nash and Stills to start paying for the sessions out-of-pocket. They began to turn toward the company’s point of view, however, and decided to invite Crosby to participate at the eleventh hour. He brought two of his own tracks to the album, “Delta,” where Stephen and Graham squeezed their vocals into David’s already-taped multi-tracked harmonies, and “Might As Well Have A Good Time,” which received the bona fide CSN treatment.[2] Most of the recording, however, features other voices in addition to the main trio, a first for any CSNY record, as is the number of outside writers. The song “Daylight Again” evolved out of Stills’ guitar-picking to accompany on-stage stories regarding the south in the Civil War, seguing into “Find the Cost of Freedom,” which had been the b-side of the “Ohio” single in 1970.[3]

As the first album by the band in the video age, such were filmed to accompany the two lead singles, “Southern Cross,” featuring the band and shots of one of their favorite metaphors, a sailing vessel, receiving a fair amount of rotation on MTV in 1982 and 1983.

The album has been released for compact disc on three occasions: on October 25, 1990; remastered using the original master tapes by Ocean View Digital and reissued on September 20, 1994; and again remastered using the HDCD process and reissued by Rhino Records on January 24, 2006, with four bonus tracks.